By Sabrina Jeffries
Griff Knighton's came upon the right strategy to keep away from being trapped into marriage with one of many Earl of Swanlea's daughters: he'll change identities along with his guy of affairs in the course of their subsequent stopover at to Swan Park, and be loose to pursue his personal wants.
But Griff didn't reckon at the brazen, voluptuous Rosalind, who may perhaps tempt even a saint into sinning, and Griff is not any saint.
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Additional resources for A Dangerous Love (Swanlea Spinsters, Book 1)
This fictional world is simplified and reassuring, and it relies on distinct stereotypical identities: ‘Exotic lands held out to Englishmen the promise of lost simplicities; abroad, away from England and its problems, they could find undiscovered territory, physical danger, cleaner choices between courage and cowardice, signs of identity to be taken in at a glance (to Marlow and Conrad, Lord Jim is immediately “one of us”), and welcome rituals of discipline’ ( Jefferson Hunter, 83). Thus Bertie Cecil is always recognized as an English gentleman: Cigarette, the French girl-soldier who loves him, discerns his nobility in his ‘figure of a superb cavalry rider’ and his white hands; she calls him ‘Beau lion’ (UTF, 207).
True! ’ (LJ, 350). Even the renegade husband, Willems, fleetingly imagines his own ‘chivalric’ duty to his wife: ‘Hang it all, there are sacred things in life, after all. The marriage tie was one of them, and he was not the man to break it’ (OI, 26). Conrad’s approach to his women characters is of course more complex than the knightly ideal of conduct laid down by Ruskin, but some of these nineteenth-century attitudes towards women are nevertheless embedded in his Malay novels. Late nineteenth-century chivalry Towards the latter end of the century the image of the gentleman-asknight was enlisted in the cause of English racial and moral superiority.
Jeffrey Richards cites the Rev. T. L. Papillon who summed up the spirit of the public school in the latter half of the nineteenth century. Papillon is dismayed by the lack of academic knowledge attained by public school boys but suggests that, nevertheless, the schoolboy ‘brings away with him something beyond all price, a manly, straightforward character, a scorn of lying and meanness, habits of obedience and command, and fearless courage. Thus equipped, he goes into the world, and bears a man’s part in subduing the earth, ruling its wild folk and building up the Empire’ (Richards, 13).
A Dangerous Love (Swanlea Spinsters, Book 1) by Sabrina Jeffries